In his Punjabi family, the men would work and the women were essentially homemakers. But Rajesh Khanna never wanted his girlfriend to pursue a career in films. But when people are falling in love, such matters are rarely discussed or given a second thought.Īs Rajesh's success became more and more bewildering with each passing film, perhaps Anju was unhappy with the way her career was shaping up. In her family, women could pursue their dreams without any restrictions. Anju, on the other hand, was a New Age girl belonging to a modern family where women had an equal say in all the important decisions. Rajesh was a shy person from a Punjabi family. Their personalities were as different as chalk and cheese. All of us at Aashirwad thought that sooner or later Kaka ji would marry her and she would be our boss.' Although Chaai ji wasn't overtly fond of her. If there was any party or function, it used to be under her supervision. Prashant Roy recalls, 'Anju memsaab used to look after the entire bungalow. The entire staff of Rajesh Khanna used to call her ' memsaab'. She was almost like a live-in girlfriend, a concept that was considered quite bold for that era. She had taken upon herself the duty to decorate Aashirwad and spent most of her time there. But the superstar's girlfriend was Anju Mahendroo. Rajesh would compensate for them by sleeping till late the next morning and, therefore, he would reach his sets late.Īcross the country, millions of girls were ready to do anything to win Rajesh Khanna's heart. These evening drinking sessions would go on generally till late in the night. He was in constant need of companionship as his stardom increasingly kept him from living a regular life. Rajesh started depending on them to counter his maddening work schedule.
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Honestly, I don't know of any other superstar or even minor celebrity who could play host as wonderfully as Rajesh Khanna did.'īut these sessions were soon growing into an unhealthy habit. According to Pradhan, 'Once, while having dinner at his hotel suite, I was so busy talking that I didn't notice that every time a fresh hot roti was brought in, Rajesh Khanna would quietly take the cold one from my plate and put it on his own, making sure that the garam rotis came to me. At his parties Rajesh personally ensured that every plate was filled with piping hot food. Pradhan recalled that if you were his guest, you were served the best. Even on outdoor shoots, these mehfils continued, with him being the magnanimous host. He invited the best from the industry every evening and offered them the best of food and drinks. They would take him back to his theatre days where many new ideas and plans had materialized in such sessions. As the drinks flowed, the conversations and laughter deepened. This helped him to relax and unwind after a hard day's work. Under pressure, Rajesh resorted to having friends over every evening to join him for drinks. Because the expectations became too many. It's strange, but the true struggle of an actor begins only after success. The more fan letters I received the more confused I became.
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My problem was that I didn't know how to say "no". I was being criticized for being overworked, for being disorganized, for being greedy. I got a sore throat telling everyone I couldn't sign more new films, but nobody cared and nobody listened.
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I was turning hysterical with work pressure. He recounts in an interview later, 'Nobody knows this, but Anand was shot during the busiest phase of my career. He was overworked and growing increasingly restless during shoots. He was working day and night like a machine. But Rajesh had no time even to read the script. Being the disciplined film-maker that he was, Hrishikesh wanted to finish Anand very quickly. Hrishikesh Mukherjee had talked to some other actors for the lead role in Anand, but ultimately he zeroed in on Rajesh Khanna. One of the films he signed in this phase was Hrishikesh Mukherjee's Anand. And the queue of producers lining up to sign him on only grew longer. His charm seemed to be affecting more and more people with every passing day. Yet again, he was able to outshine Asha Parekh in the heroine centric Kati Patang. Songs like 'Yeh Shaam Mastani', 'Pyaar Deewana Hota Hai' and 'Yeh Jo Mohabbat Hai' are signature Rajesh Khanna numbers. Burman and Kishore Kumar became an iconic partnership. With Kati Patang, the trio of Rajesh Khanna, R.D. His movies were not only commercial successes but also musical blockbusters. His roles in Kati Patang, The Train and Aan Milo Sajna were greatly loved by his fans. This was turning out to be a grand year for him.
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He monopolized almost all theatres throughout 1970 with a succession of hit films.